A blind boy from America’s heartland changed the way the world drives.

This is the powerful story behind One Man’s Vision, the upcoming feature film inspired by the life of inventor Ralph Teetor – the mind behind Cruise Control – who lost his sight at age five but never lost his vision of what was possible.

Inspired by the book, One Man’s Vision, by the late Marjorie Teetor Meyer, the film is a collaboration between Brookwell McNamara Entertainment, Blind Logic Productions, and Bernstein/Romero Productions. At its core, it’s a story of iron-willed perseverance, love, and how one man refused to be defined by his blindness and instead shaped the future of the American automotive industry.  

An American triumph over tragedy story that follows a man who overcomes unthinkable odds. Ralph Teetor lived his life as a sighted person. His own daughter didn’t know he was blind until age 10.

Reuniting the team behind the 2024 biopic Reagan, the film will be written by Howard “Howie” Klausner and directed by the acclaimed filmmaker Sean McNamara. Producers include David Brookwell, Jack Teetor, and Gary Bernstein, with Klausner also serving as executive producer.

McNamara’s credits include Soul Surfer, On a Wing and a Prayer, and the upcoming John O’Leary story Soul on Fire, for Sony Pictures and Emile Hirsch’s Holocaust drama Bau: Artist at War, for Paramount Pictures. Klausner’s writing includes Space Cowboy’s (Clint Eastwood), The Last Ride, and The Identical. David Brookwell brings decades of experience in feature films and television.

This film was sparked by Ralph Teetor’s great nephew, Jack Teetor, who produced the award-winning documentary, Blind Logic, premiering on July 8^th on digital platforms and cable providers. “Ralph’s legacy goes far beyond Cruise Control,” said Jack Teetor. “It’s about resilience, imagination, and a love story that fueled his pursuit of achievement.”

https://youtu.be/oy1EaJytLA0

Producers Gary Bernstein & Ernesto Romero introduced Brookwell McNamara to Jack Teetor and discussed a feature film about Ralph Teetor’s life. Gary Bernstein produced the highest rated series on six different networks including “Lingo” which has been on the air for five decades.

Bernstein commented, “After reading the book, ‘One Man’s Vision,’ I knew immediately it needed to be a motion picture and I’m excited to play a role in bringing it to fruition. Ralph Teetor’s life story caused a major positive paradigm shift in my life and I’m certain the motion picture will do the same for millions of others.”

McNamara added, “I’m so excited to be making ‘One Man’s Vision’ for the big screen. This is an extraordinary American story that is not just about bringing Ralph Teetor’s remarkable journey to life, it’s about illuminating the power of resilience and innovation against all odds. I am thrilled to share his inspiring legacy with the world!” 

For more information visit our website:    www.onemansvision.com

MEDIA CONTACT:               

Deborah Gilels, LA Media Consultants

Email: [email protected] 

Cell: 818-648-9513

BROOKWELL MCNAMARA ENTERTAINMENT   Los Angeles, CA    http://bmetvfilm.com/

BLIND LOGIC PRODUCTIONS, LLCLos Angeles, CA    www.blindlogicproductions.com

Bollywood mostly produces male-dominated films, where women are relegated to serve as visual embellishments rather than integral parts of the narrative.

Director Aron Govil in a recent interview discussed why the stereotype of women as mere “eye candy” remains pervasive in most Bollywood films. Women in most Bollywood films are shown as submissive, dependent, or secondary to male protagonists. These depictions reinforce outdated ideals and limit the scope of storytelling by ignoring diverse, authentic female experiences. The primary reason for this trend lies in the commercial nature of the Bollywood Film industry.

Aron Govil said, “Bollywood has historically catered to a male-dominated audience, where box office success often depends on mass appeal. Women are frequently relegated to roles that serve as visual embellishments rather than integral parts of the narrative. Songs, dance sequences, and glamorous outfits are used to draw in audiences, sidelining the complexity of female characters.” “This reductionist portrayal not only undermines women’s capabilities but also perpetuates societal norms that limit their roles and contributions.” continued Mr. Govil.

In the past decade, several Bollywood films have portrayed women primarily as eye candy, often sidelining their characters in favour of male-centric narratives. In the Dhoom series of films, while action-packed and commercially successful, the female characters: Esha Deol, Aishwarya Rai, and Katrina Kaif were presented in glamorous roles, with minimal character development. They primarily feature in dance sequences and romantic subplots. The race film series known for its high-octane drama and twists, this franchise used female characters: Bipasha Basu, Deepika Padukone, and Jacqueline Fernandez only as glamorous additions to the male-driven storylines. In the film, Singh Is Kinng, Katrina Kaif’s role is a classic example of being a romantic interest with a focus on her appearance and charm, while the male protagonist drives the story. Furthermore, the House Full series of comedy films included a star-studded cast of actresses like Deepika Padukone, Jacqueline Fernandez, and Kriti Sanon, but their roles were merely reduced to being love interests or part of comedic scenarios centred around their appearance. These examples reflect a recurring trend in Bollywood to prioritize aesthetics over substance for female characters.

Bollywood mostly produces male-centric narrative films, where women are relegated to serve as visual embellishments through their outfits and dances rather than an integral parts of the narrative.”

— Aron Govil

Aron Govil described, that Bollywood is obsessed with showing female characters in fair-skinned rather than the normal Indian skin tone. Most Bollywood films cast lighter-skinned women in lead roles, while darker-skinned characters are often typecast into subservient or comic roles. This creates a skewed representation that normalizes the idea of fair skin as a prerequisite for desirability and success. Western media and global beauty standards have historically emphasized fair skin as desirable. This influence has trickled into Indian cinema, where actresses with lighter skin tones are always promoted as “ideal” beauty icons, sidelining the diversity of Indian skin tones. Songs and dance sequences in Bollywood often romanticize fair skin. Lyrics like “gori” (fair-skinned) or “chitti kalaiyan” (fair wrists) reinforce these biases, celebrating light skin as a symbol of beauty.

“Another contributing factor is the prevalence of the “male gaze” in Bollywood filmmaking, as women are often depicted from a male perspective, emphasizing their physical appearance over their personality, intellect, or emotions. This perspective dominates mainstream Bollywood, where female characters are often introduced with slow-motion shots with wind-blown hair and stylized close-ups, focusing on their beauty rather than their depth.” Added Mr. Govil.

However, there has been a gradual shift in recent years. Films like Queen, Pink, and Thappad have challenged these stereotypes, offering nuanced, empowered portrayals of women. Female filmmakers and writers are also playing a pivotal role in changing the narrative, bringing more authenticity to female characters and their stories.

“While progress is being made, Bollywood still has a long way to go in celebrating the diverse beauty of Indian women and dismantling the toxic ideals of colourism embedded in its narratives. The industry’s responsibility lies in recognizing the power of representation. By portraying women as multifaceted individuals with their aspirations, struggles, and triumphs, Bollywood can contribute to a broader cultural shift. Moving beyond objectification to celebrate the complexity of women’s lives is not just a step toward gender equality in cinema but also a reflection of an evolving, progressive society.” ended Aron Govil.

About Aron Govil:

Aron Govil is an entrepreneur, who has gained worldwide prominence, through his Ducon Group, one of the largest corporate group in the USA that is owned by a person of Indian origin. His group is involved in energy, environment, infrastructure & entertainment fields globally. In the entertainment field, Aron Govil has produced, financed and even directed many Bollywood and Hollywood films. Mr. Govil has also conducted several stage shows and national tours of prominent musicians, singers and Bollywood film stars and has promoted several musical artists.

Media contact details:

Ron Kumar
AG Media Inc.
[email protected]

The post Director Aron Govil talks about Bollywood’s portrayal of women as mere ‘Eye Candy’ in its films. appeared first on Pinion Newswire.

November 10, 2024 – The highly anticipated Yellowstone Season 5 Part 2 is finally here! Fans of the epic Western drama series, created by Taylor Sheridan,

The highly anticipated Yellowstone Season 5 Part 2 is finally here! Fans of the epic Western drama series, created by Taylor Sheridan, can look forward to the explosive return of the Dutton family on November 12, 2024.

After a year-long wait since the first part of Season 5, the second half promises more intense drama, gripping power struggles, and shocking twists. If you’re wondering when Yellowstone Season 5 Part 2 premieres, where to stream it, and what to expect, we’ve got you covered!

When Does Yellowstone Season 5 Part 2 Premiere?

Yellowstone Season 5 Part 2 will premiere on Sunday, November 12, 2024, at 8:00 PM ET / 7:00 PM CT on Paramount Network. After the dramatic cliffhanger at the end of Part 1, fans can expect the story to pick up right where it left off, with more political intrigue, family conflict, and the stakes rising for John Dutton (Kevin Costner) and his family.

Where to Watch Yellowstone Season 5 Part 2 Online

If you’re ready to watch Yellowstone Season 5 Part 2 but don’t have cable, don’t worry—there are plenty of streaming options. Here’s where you can catch the new episodes:

• Paramount+: The best way to watch Yellowstone online is through Paramount+, which offers both live streaming of the premiere and on-demand access to all episodes of the series. You’ll need a Paramount+ Premium subscription for the latest episodes.
• Paramount Network: If you have a cable subscription, you can watch Yellowstone directly on Paramount Network at the scheduled air time.
• Hulu, Amazon Prime Video, and YouTube TV: You can also stream the latest episodes of Yellowstone on platforms like Hulu and Amazon Prime via add-ons or live TV subscriptions.

Make sure to set a reminder for November 12, 2024, so you don’t miss the action-packed premiere!

What to Expect in Yellowstone Season 5 Part 2

The Dutton family’s saga continues in Season 5 Part 2 as they face their most dangerous and personal challenges yet. Here’s a quick breakdown of what you can expect:

1. John Dutton’s Governor Role – John Dutton (Kevin Costner) is now the governor of Montana, and his political position will be tested by increasing pressure from corporate interests, rival politicians, and enemies of the family.
   
2. Family Drama and Power Struggles – The Duttons must deal with internal family tension, loyalty issues, and the ongoing battle to protect their iconic ranch from outside forces. Expect plenty of heated confrontations between John, Beth (Kelly Reilly), Jamie (Wes Bentley), and Rip (Cole Hauser).
   
3. Land and Legacy – The fate of the Yellowstone Ranch remains uncertain as outside forces—like corporate developers and neighboring ranchers—continue to threaten its existence. With powerful figures like Caroline Warner (Jacki Weaver) pushing against them, the Duttons must use every tactic to keep their land in the family.
   
4. New Alliances and Betrayals – Season 5 Part 2 will likely see new alliances form and old ones tested. Watch for unexpected betrayals and shocking plot twists as characters’ true motives are revealed.

Is Yellowstone Ending After Season 5?

Yes, Season 5 marks the final season of Yellowstone, and this makes Part 2 even more crucial for fans eager to see how the epic story wraps up. While the show itself is concluding, the Yellowstone universe will live on through several spin-offs.

Fans can look forward to the prequel series 1923, which explores the origins of the Dutton family, and the upcoming spin-off 6666, which dives into the iconic Four Sixes Ranch.

Even though Yellowstone is ending, Taylor Sheridan’s universe will continue to expand, offering more thrilling stories set in the world of the Duttons.

How to Prepare for the Yellowstone Season 5 Finale

If you’re just now catching up on Yellowstone, here are a few things you can do before diving into Part 2:

• Binge-watch Part 1: If you missed the first part of Season 5, you can catch up on all episodes from Part 1 via Paramount+ or other streaming services that offer Yellowstone.
• Revisit Previous Seasons: With so many plot twists and character arcs spanning five seasons, you might want to revisit earlier episodes for a refresher. Yellowstone’s dramatic evolution has made it one of the most talked-about shows in recent years, so catching up on past seasons will give you a deeper understanding of the storylines.

Conclusion

Get ready for a thrilling ride as Yellowstone Season 5 Part 2 arrives on November 12, 2024. With the Dutton family facing their toughest challenges yet, this final chapter is sure to be packed with drama, action, and high-stakes moments. Whether you’re watching it live on Paramount Network or streaming it on Paramount+, don’t miss the epic return of one of television’s most beloved series.

References:

1. Yahoo Entertainment – Yellowstone Season 5 Part 2 Details
2. USA Today – Yellowstone Season 5 Part 2 Premiere Information

Read More here: https://businessnewsrelease.com/giants-vs-panthers-2024-prediction-odds-picks-nov-10/